I notice my ambition to produce Chronicles from the tenth decade of my life has been suspended for almost a month, which is to say only 19 weeks after my tenth decade actually began when I turned 90 on March 21, suspended while I have been dealing with various health issues. A feeble excuse, but mine own.
Instead of keeping my nose pressed to the
keyboard grindstone, as any real writer would have done, I have been submitting
to repeated tests designed to discover what has caused that pain on the right
side of my chest: a totally fruitless exercise, all these tests, because, as I
told the doctors in mid-flight, if you keep testing a 90-year-old body, testing
it and testing it, each time you will find something new that is not
functioning as it should. So these tests, with their dramatic results, are endless.
Meantime, while I have been so
preoccupied, the world has been going crazy around my head, all sorts of highly
significant events piling up around my almost lifeless body.
One of the most important of these
events has been the unforgivable disappearance from the McGill University
campus of something I had come to accept as a permanent fixture, the wonderful
bigger-than-lifesize, completely naturalistic statue in painted bronze, of a
wolf by the great Saskatchewan artist Joe Fafard, who, until I saw this giant
and impressive wolf, I had always associated with tiny works.
The statue was one of several that were
installed in the McGill campus last summer, as part of the celebration of the
foundation of Montreal 375 years ago, almost all of them except this one being
either monstrously ugly or impressionistic or abstract in nature. I remember a heavy, heavy stone statue that
was said to represent tai-chi, that lighter than air Chinese physical exercise
for the aged. And, queen of the uglies
was a huge, multi-coloured caricature of a woman that cast its baleful presence
over Sherbrooke street during the summer. Apart from Joe’s wolf, the most
striking installation was the presence of eight squatting Chinese men in a
circle, called “the meeting”, a work that had been already exhibited in Europe
and elsewhere, and whose disappearance I regretted as the autumn descended upon
us.
Only one other statue survived
to accompany Joe’s Wolf into the winter. It was a comfort every day I walked through
the campus among the throngs of students and their teachers thoughout the
bleakest days of winter to look over and be re-asssured that the Wolf was still
there, looking after us, guarding us all, making sure that nothing could go
wrong for us.
Until the day I looked over as the
winter morphed into spring, to discover the Wolf had disappeared. If only I knew who to write to in the vast
corporation that is McGill University, I would have written indignantly to inquire
what they mean by letting their protector go in this way. Where has it gone,
and why? Could it possibly be that the hugely wealthy university could not
afford to buy such an important and (eventually) indispensible part of their
landscape, one that would guarantee the institution’s safety far into the
future? Or was it just that they had a lease on it that ran out? Or that some
idiot within their decision-making corpus decided that the beautiful animal was
too fine, too straight-forward, too easily understandable, to grace the increasingly
complex values of a great modern university?
Well, that’s my number one global
catastrophe that has occurred during my days of pre-occupation. Of course, of
more prominence has been the clown-show happening every day in Washington D.C.
which would be very amusing were it not so serious. And then the invasion of a
similar scenario into Ontario, whose citizens, a notably capricious bunch, have
decided to elevate a member of the semi-literate majority into a position of
power, from which no good can possibly emerge.
And then, one final thing, I have
noted an extraordinary phenomenon that I never expected to see, which is that
our political, media, and corporate elites appear to have coalesced around the
idea that the potentially
planet-destroying Tar Sands of Alberta, which have already laid waste vast
tracts of beautiful wilderness in the greedy search for oil, should be extended
and increased, an action that will make nonsense of our national promise to
work towards the reduction of CO2 emissions into the atmosphere, which are
already galloping along towards a
disastrous increase in the heat of the planet that could conceivably have the
effect of either wiping out the human race, or very much reducing its size, leaving
only a fraction of what exists now in the way of civilization and its achievements,
to be presided over by a confused remnant of
homo sapiens, stumbling around
in desperation as we try, finally, but too late, to adjust to the new reality
of an Earth whose fundamental building blocks we would have destroyed.
And for what? So that we can sell
this cancerous oil at a higher price to Asians than we can get for it now from
the United States. In fufilment of which purpose our befuddled government has
already spent $7.4 billion (of an expected $15 billion total price), that could
have been better spent to bring clean water to First Nations reserves, or build
affordable houses for lower-income or homeless people, or to clean up our
polluted waters, damaged soils and choking air, the fundaments of all life.
What are Canadians thinking about
their government that has persisted in arguing that this is all simply a matter
of jurisdiction, of federal against provincial powers, leaving aside completely
the essential question as to the future of the Tar Sands and the drastic impact of their oil on all
life, as if it were a matter of no consequence?
I wonder if Joe Fafard’s Wolf, in its infinite
wisdom, could have saved us from this folly. The inscription that accompanied
it read:
“This
monumental sculpture is more kind than threatening. The Wolf, or mahihkan in Cree, is an animal known for its
subservience to hierarchy and its solidarity with its brethren. In fact, when
hunting, wolves never feed on their prey until they are able to share it with their
pack. This lesson, central to the First Nations values, who view the mahihkan
as a symbol of empathy towards others, also carries a universal message.”